Manuscripts

St. Paul im Lavanttal, Stiftsbibliothek, MS 86a/1 Reichenau Primer

  • s. ixin
  • Continental manuscripts containing Irish, Continental manuscripts containing Irish
Identifiers
Shelfmark
86a/1
Title
Reichenau Primer
Description
Latin hymns, Latin grammatical texts, with Old Irish poems, e.g. Messe ocus Pangur bán (f. 1)
Provenance and related aspects
Date
s. ixin
early 9th century
Origin, provenance
possibly Reichenau Abbey
Hands, scribes
Additions
Old High German glosses
Table of contents
Legend
Texts

Links to texts use a standardised title for the catalogue and so may or may not reflect what is in the manuscript itself, hence the square brackets. Their appearance comes in three basic varieties, which are signalled through colour coding and the use of icons, , and :

  1. - If a catalogue entry is both available and accessible, a direct link will be made. Such links are blue-ish green and marked by a bookmark icon.
  2. - When a catalogue entry does not exist yet, a desert brown link with a different icon will take you to a page on which relevant information is aggregated, such as relevant publications and other manuscript witnesses if available.
  3. - When a text has been ‘captured’, that is, a catalogue entry exists but is still awaiting publication, the same behaviour applies and a crossed eye icon is added.

The above method of differentiating between links has not been applied yet to texts or citations from texts which are included in the context of other texts, commonly verses.

Locus

While it is not a reality yet, CODECS seeks consistency in formatting references to locations of texts and other items of interest in manuscripts. Our preferences may be best explained with some examples:

  • f. 23ra.34: meaning folio 23 recto, first column, line 34
  • f. 96vb.m: meaning folio 96, verso, second column, middle of the page (s = top, m = middle, i = bottom)
    • Note that marg. = marginalia, while m = middle.
  • p. 67b.23: meaning page 67, second column, line 23
The list below has been collated from the table of contents, if available on this page,Progress in this area is being made piecemeal. Full and partial tables of contents are available for a small number of manuscripts. and incoming annotations for individual texts (again, if available).Whenever catalogue entries about texts are annotated with information about particular manuscript witnesses, these manuscripts can be queried for the texts that are linked to them.

Sources

Primary sources This section typically includes references to diplomatic editions, facsimiles and photographic reproductions, notably digital image archives, of at least a major portion of the manuscript. For editions of individual texts, see their separate entries.

[dig. img.] Tristram, Konrad J. [photography], Reichenauer Schulheft - Reichenau Primer: Benediktinerstift St. Paul im Lavanttal (Kärnten) - St. Paul in Carinthia, Online: Hildegard L. C. Tristram, ?–present. URL: <http://hildegard.tristram.de/schulheft/>. 
Images of the Reichenau Primer, photographed in 1998.

Secondary sources (select)

Tristram, Hildegard L. C., “Die irischen Gedichte im Reichenauer Schulheft”, in: Peter Anreiter, and Erzsébet Jerem (eds), Studia Celtica et Indogermanica: Festschrift für Wolfgang Meid zum 70. Geburtstag, 10, Budapest: Archaeolingua, 1999. 503–529.
Jullien, Marie-Hélène, “Les sources de la tradition ancienne des quatorze Hymnes attribuées à saint Ambroise de Milan”, Revue d'Histoire des Textes 19 (1989, 1990): 57–189.  
abstract:
The article presents a chronological account of the indirect witnesses and the direct manuscript sources (8th to 10th centuries) which form the basis of the new critical edition of the fourteen Hymns attributed to Saint Ambrose of Milan (an edition to be published in 1990 by Editions du Cerf). The inquiry is extended here to the eleventh century (a total of 76 manuscripts have been consulted, of which 54 are hymnals). As several types of hymnal were in use in the West from the inception of this liturgical book until the eleventh century, the manuscripts have been grouped typologically according to the contents of their collections of hymns, and the principal characteristics of each group have been described.

The Hymns attributed to Ambrose were never grouped together as a single corpus until the 19th century. The present examination of their sources throws light both on the individual tradition of each hymn as well as the specific traits of the manuscripts in which they are dispersed. The diffusion of the Hymns of S. Ambrose was confined almost exclusively to Benedictine monasteries, where they were used during the celebration of the office or for teaching purposes. Their transmission and use are largely dependant upon that of the hymnal ; nonetheless, they also preserve the singularities of diverse rites and numerous local peculiarities.

An annex provides a list of the contents of 18 manuscripts hymnals for which no description previously existed.
99–100
Oskamp, Hans P. A., “The Irish material in the St. Paul Irish codex”, Éigse 17:3 (1978): 385–391.
Windisch, Ernst [ed.], Irische Texte mit Wörterbuch, 4 vols, vol. 1, Leipzig, 1880.
Internet Archive: <link> Internet Archive – Originally from Google Books: <link> – Vol. 1, part 1: View in Mirador – Vol. 1, part 2: Wörterbuch: View in Mirador
312–320
Contributors
Dennis Groenewegen
Page created
November 2010, last updated: August 2023

Sources