Bibliography

Hall, Edith, “British imperialist and/or avatar of Welshness?: Caractacus performances in the long nineteenth century”, in: Francesca Kaminski-Jones, and Rhys Kaminski-Jones (eds), Celts, Romans, Britons: classical and Celtic influence in the construction of British identities, Oxford, New York: Oxford University Press, 2020. 141–160.

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Article
“British imperialist and/or avatar of Welshness?: Caractacus performances in the long nineteenth century”
Work
Francesca Kaminski-Jones (ed.) • Rhys Kaminski-Jones (ed.), Celts, Romans, Britons: classical and Celtic influence in the construction of British identities (2020)
Pages
141–160
Year
2020
Description
Abstract (cited)

The WWI recruitment drive in Wales was extraordinarily successful. One strand in the propaganda that encouraged young Welsh men to enlist was the example of Caractacus, the ancient British leader who according to Tacitus had fought against the ancient Romans in Wales and, after capture, had delivered a defiant speech to the Emperor Claudius. Inaugurated by a stage play in Welsh by Beriah Gwynfe Evans, performed at a school in Abergele in 1904, there was an Edwardian craze in Wales for amateur theatrical performances by schoolchildren starring Caractacus. The trend was encouraged by the identification of Lloyd George with the ancient warrior, especially after his ‘People’s Budget’ had won the fervent support of the working classes. Once war was declared, the Caractacus performances in Wales became transparently connected with recruitment, morale, and fund-raising for the war effort. Small Welsh children across the class spectrum were still performing such plays while their elder brothers were dying in the trenches of France.

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Contributors
Dennis Groenewegen
Page created
September 2021