Agents

Buisman (Frans)

  • d. 2002
Buisman, Frans, “A parallel between Scottish pibroch and early Welsh harp music / Cyffelybiaeth rhwng cerddoriaeth pibroch Albanaidd a cherddoriaeth gynnar Gymreig i’r delyn”, Hanes Cerddoriaeth Cymru / Welsh Music History 6 (Tachwedd/November, 2004): 1–23, 24–46.
Buisman, Frans, Andrew Wright, and Roderick D. Cannon (eds.), The MacArthur-MacGregor manuscript of piobaireachd (1820), The Music of Scotland 1, Glasgow and Aberdeen, 2001.  
abstract:
The MacArthur-MacGregor Manuscript of Piobaireachd contains thirty compositions for the Highland bagpipes for use on ceremonial occasions, compiled by the pipers Angus MacArthur of Trotternish in Skye and John MacGregor of Fortingall in Perthshire, and overseen by Andrew Robertson of the Highland Society of London. This Piobaireachd Society manuscript [deposited in the National Library of Scotland] is published here for the first time in a volume comprising extensive background material, critical and performing editions of the music, and a facsimile of the original music pages.
Buisman, Frans, “MacArthur MS”, Piping Times 53:7 (2001): 49.
Buisman, Frans, “Letters: Double Echoes”, Piping Times 52:6 (2000): 39–41.
Buisman, Frans, “Comparisons: Donald MacDonald’s Crathaidhnean”, Piping Times 50:9 (1998): 21–26.
Buisman, Frans, “Canntaireachd. Colin Campbell’s verbal notation - An outline [2]”, Piping Times 50:4 (1998): 28–33.
Buisman, Frans, “Piobaireachd: The earliest editions of Donald MacDonald’s collection [1]”, Piping Times 50:1 (1997): 51–53.
Buisman, Frans, “Canntaireachd. Colin Campbell’s verbal notation - An outline [1]”, Piping Times 50:3 (1997): 24–30.
Buisman, Frans, “Piobaireachd: The earliest editions of Donald MacDonald’s collection [2]”, Piping Times 50:2 (1997): 32–34.
Buisman, Frans, “MS. SRO 112/1/803. More evidence on the development of Campbell notation [2]”, Piping Times 47:12 (1995): 26–34.
Buisman, Frans, “MS. SRO 112/1/803. More evidence on the development of Campbell notation [1]”, Piping Times 47:11 (1995): 21–28.
Buisman, Frans, “Melodic relationships in pibroch”, British Journal of Ethnomusicology 4 (1995): 17–39.
Buisman, Frans, “Re correspondence to my article ‘Dungallon’s Lament/Salute’”, Piping Times 46:5 (1994): 51.
Buisman, Frans, “Pibroch composing. Convention and invention”, Piping Times 46:7 (1994): 41–50.
Buisman, Frans, “Dungallon’s Lament/Salute. Playing styles and exchange of tunes in ceòl mór [2]”, Piping Times 45:7 (1993): 28–34.
Buisman, Frans, “Dungallon’s Lament/Salute. Playing styles and exchange of tunes in ceòl mór [1]”, Piping Times 45:6 (1993): 25–29.
Buisman, Frans, “Piobaireachd: Joseph MacDonald’s introductory runs [2]”, Piping Times 44:9 (1992): 41–45.
Buisman, Frans, “System of modes in ceòl mór”, Piobaireachd Society Proceedings 19 — Royal Hotel, Bridge of Allan (1992): 41–45.
Buisman, Frans, “Piobaireachd: Joseph MacDonald’s introductory runs [1]”, Piping Times 43:9 (1991): 26–38.
Buisman, Frans, “The early history of Leumludh Movement [2]”, Piping Times 44:5 (1991): 27–38.
Buisman, Frans, “Piobaireachd: ‘Paidh Na Bodaich Nail’ Ach Ruairidh’”, Piping Times 43:4 (1990): 21–27.
Buisman, Frans, “The early history of Leumludh Movement [1]”, Piping Times 43:10 (1990): 36–50.
Buisman, Frans, “A note on the MacKenzie manuscripts”, Piping Times 43:5 (1990): 47–53.
Buisman, Frans, “The ‘CH’ in canntaireachd”, Piping Times 43:3 (1989): 34–37.
Buisman, Frans, “The reflexive shake. An ancient piobaireachd ornament [3]”, Piping Times 41:11 (1988): 38–42.